5x04 - Warren Blood is Thicker Than Water

[Prue Brianna Johnna Halliwell]

DESTINED

'WARREN BLOOD IS THICKER THAN WATER'

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - STREET - NIGHT

A WOMAN, UMA (25), runs down the street. She seems unsettled. Tears run down her face heavily. Her long dark-hair is messed.

She keeps running down the street and crosses the road without looking at her right side. She doesn’t notice it ---

THE CAR is driven. The driver doesn’t notice her either.

And BEAT.

SLOW MOTION shoot. The car hits the young woman who rolls over the car and ends up in the ground. Dead.

ON UMA - Her face is covered in blood. Her eyes are wide open.

ON UMA’S EYE - A tear drops out of her left eye.

THE CAMERA MOVES AWAY TO - Jared. He is standing on a corner. He saw it all apparently.

JARED’S POV - He sees the driver coming closer to Uma’s body. Then he sees Uma’s spirit leaving her body.

JARED

(to himself)

Well, well, well. What do we have here?!

Uma looks at her dead body on the ground.

UMA

What happened?!

The driver takes his phone and calls an ambulance.

DRIVER

--- I think she’s dead, but I don’t know. It happened so fast.

UMA

No. I’m not dead. I can’t be dead.

Uma’s spirit is getting upset.

UMA (CONT'D)

I still have things to do. I have to make her pay.

ON JARED - He walks towards the scene and stands before Uma’s spirit.

JARED

I can help you.

Uma turns to Jared.

UMA

You’re talking to the driver or me?

Jared looks at Uma and smiles.

JARED

(to Uma)

We must talk.

ON JARED - He smirks.

CUT TO:

EXT. SAN FRANCISCO - GOLDEN GATE PARK - DAY - INSIDE A DREAM

ON PRUE - She smiles big.

Prue is sitting on a bench. She smiles as a girl approaches her; Tina.

TINA

Mummy, I’m so glad you brought me here.

Tina looks so happy. She hugs Prue.

TINA (CONT'D)

I like this place.

PRUE

I’m so glad you do, darling.

TINA

I’m so happy we are together again.

PRUE

We will always be together, Tina. Mummy will never let go of you.

Tina gets serious.

TINA

Are you serious, mummy?

Prue nods and runs her fingers through her daughter’s long and blond hair.

TINA (CONT'D)

Then what are you waiting for?

Prue gets serious.

PRUE

(confused)

What?

TINA

Mum, time is ticking. My sisters are coming, but I ---

(pauses)

--- I could get lost forever.

PRUE

What are you talking about, Tina?

TINA

Time is ticking, mum. You must find out and stop who changed our lives. You must make dad remember you. Remember how he feels about you.

PRUE

Tina ---

TINA

Please, mummy. My life and Matt’s depend on it.

And suddenly the whole scene starts getting dark.

Tina SCREAMS out loud.

PRUE

Tina!

TINA

(out loud)

Please, mummy! I can’t fade off existence. Not now that we’ve got our family back together!

ON TINA - She starts fading off.

PRUE

Tina!

TINA

(out loud)

Mummy!

And Tina fades off completely. Prue cries out loud her name.

PRUE

Tina!

ON PRUE’S EYES - They are filled with horror.

CUT TO:

INT. PRUE’S CONDO - MAIN BEDROOM - NIGHT

ON PRUE’S EYES - They pop open.

The room is dark. Prue gets into a sitting position.

PRUE

Tina!

Prue breaths fast. Nate, who was lying beside her, wakes up.

NATE

Prue?

Prue tries to calm down. Nate gets into a sitting position and realizes she’s breathing fast and sweeting. He touchers her to try to calm her and notices that she’s cold.

NATE (CONT'D)

You are so cold.

Prue looks at him.

NATE (CONT'D)

What happened?

PRUE

(calmer)

Just a bad dream.

Nate hugs her.

NATE

It’s over. We are here. Together.

Prue gets off his hug.

PRUE

I need ---

NATE

Milk?

Prue looks at him. She is surprised at what he said.

PRUE

How do you ---?

NATE

It’s what calms you when you can’t sleep or have nightmares.

PRUE

Yes.

NATE

Honey, I know everything about you.

Prue gets off the bed.

NATE (CONT'D)

I can get it for you.

PRUE

No.

Prue takes a deep breath.

PRUE (CONT'D)

Get back to sleep. I can get the milk myself. I’ll be right back.

Prue walks out of the bedroom as Nate watches her leaving.

CUT TO:

INT. PRUE’S CONDO - LIVING ROOM / KITCHEN - NIGHT

Prue comes from her bedroom. She takes a deep breath.

PRUE

I need to see my daughter.

Prue BEAMS out.

CUT TO:

INT. P3 - PRUE’S OFFICE - NIGHT

Jo is lying on the couch reading a book. It seems like she’s been staying in there. She’s wearing pajamas and is covered by a blanket.

ON BOOKS TITLE. It reads:

‘A Change of Reality’

ON PRUE - She BEAMS in front of Jo.

PRUE

Tina?

Jo looks up at her mother and closes the book.

JO

(surprised)

Mum?

Jo takes off the blanket and stands.

JO (CONT'D)

Mum, what are you doing here?

Prue hugs her daughter tightly.

PRUE

I thought I had lost you.

JO

Mum, what’s wrong?

Prue breaks the hug and touches Jo’s face.

PRUE

I saw you fading off existence.

JO

Mum, I’m here. It was just a dream.

PRUE

It felt real.

JO

But it wasn’t. I’m still here.

Nervous. Tears come down Prue’s eyes.

PRUE

I can’t lose you. I won’t.

JO

Of course, you won’t, mum. We’ll fix it. We have each other.

PRUE

Time is ticking.

JO

I know. But we’ll fix it. We are Warrens.

Jo touches softly Prue’s face.

JO (CONT'D)

I love you, mum, and I’m not going anywhere.

Prue forces a smile trying to believe what her daughter is saying.

JO (CONT'D)

Okay?

Prue nods. Then both mother and daughter hug each other.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Alyssa Milano as Phoebe Halliwell

Rose McGowan as Paige Matthews

Marisol Nichols as Bianca

Matt Bomer as Damon

Jensen Ackles as Eric

Katie Cassidy as Melissa

Special Guest Starring

Sol Esteves as Melinoe

Erica Durance as Alyssa


Guest Starring

Laura Vandervoort as Jo

Matthew Daddario as Jared Lare

Alexandra Daddario as Jessica Lare

Eric Winter as Nate

Jennifer Morrison as Ella

Stephen Amell as Johnathan

Emilie de Ravin as Blanche

Alia Bhatt as Uma

Allison Bortz as Sanvi

Mckenna Grace as 11 Years Old Christina

John Barrowman as Christopher

Andy Kastelic as Lex

Unknown actor as Cupid's voice

Unknown actor as Driver

Unknown actors as Cops

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT SAN FRANCISCO - DAY

AERIAL VIEW all over the city at the sound of ‘New Rules’ by Dua Lipa.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

MUSIC FADES OFF.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

ON ELLA - Her eyes are closed, but she opens one eye to peer to her left side.

YOGA MUSIC FADES IN.

Both Ella and Jessica are sitting on a yoga mat. Both of them in a low lunge yoga pose. While Jessica seems to be equilibrated, Ella tries her best to remain equilibrated.

ELLA

Are you sure this is the best we could be doing?

JESSICA

Shush!

OFF TO WYATT AND CHRIS - They come in and stare at their wives. They exchange glances.

CHRIS

Hey, girls! We are heading out.

And Ella unbalances and loses her position. She looks at Wyatt and Chris. Jessica finishes her position and stands looking at them.

JESSICA

(sarcastic)

Thank you for breaking our concentration.

WYATT

I didn’t know you were a yoga practitioner!

JESSICA

I realized that it could help me calming down. It will help us too.

WYATT

Help on what?

ELLA

Oh, she said that if Prue got pregnant practicing yoga, we have to do the same too.

CHRIS

What?

JESSICA

I didn’t say exactly that.

ELLA

Yes, you did. But I think it should be our husbands practicing yoga instead of us. It seems like they need it more than we do.

CHRIS

We are perfectly fine.

ELLA

You have been shattered since those nightmares of yours started.

Wyatt and Chris exchange glances.

JESSICA

(to Ella)

At least you know why he is away. Mine on the other hand stopped feeling desire for me.

WYATT

Jess!

Wyatt is serious.

WYATT (CONT'D)

Our private life is not a matter of public knowledge.

ELLA

Well, she’s right to be worried. You’ve been trying to have babies almost since you got married and now you just ---

WYATT

Stop.

CHRIS

Yeah, it is enough, ladies. Things have been a little crazy here and we all are in some stress.

WYATT

The best thing we can do is get to work.

Chris nods. Chris approaches Ella and kisses her goodbye.

CHRIS

Are you going to the shop today?

ELLA

I am.

WYATT

(to Ella)

Maybe you can take Jessica. Some work would do her better than yoga.

JESSICA

(complaining)

Hey!

Wyatt and Jessica look at each other.

ELLA

I actually offered her a job when I was needing someone to help me take care of the shop.

JESSICA

An esoteric shop is not for me.

WYATT

Well, you have P3. I own half of it and I can offer you a job.

JESSICA

(sarcastic)

Oh, I’d like that idea if I could take Prue’s place.

Wyatt rolls his eyes.

WYATT

You know I can’t do that. The terms of our agreement ---

JESSICA

(cuts him off)

Yeah, right. The two of you have an agreement. You keep your nose out of P3 and she keeps it.

Both Wyatt and Jessica look at each other while Chris and Ella look at them.

WYATT

You could be a little humble and ask her for a job. You used to be a bartender back when we met. A part-time job. Nothing more than that. It would keep your mind focused on other things.

JESSICA

I would never ask her a job. I am your wife. Isn’t that enough?

Both Wyatt and Jessica stare seriously at each other.

WYATT

I’m out.

Wyatt turns around and leaves. Jessica is upset. Chris and Ella exchange glances, then Chris turns around and leaves as well. Ella turns to Jessica.

ELLA

You know what he meant, right?

JESSICA

Yeah. Two things. He wants me to forget the baby issue and Prue.

ELLA

The baby issue I get, but Prue? Why do you hate her so much, Jess? I never understood that hate you have for each other.

Jessica is serious.

JESSICA

I just don’t like her.

Jessica gives her back on Ella.

JESSICA (CONT'D)

I don’t like the simple fact that she exists.

Ella looks serious at her.

ON JESSICA - She is dead serious.

CUT TO:

EXT. PRUE’S CONDO - DAY

Lots of cars are being driven in front of the building.

CUT TO:

INT. PRUE’S CONDO - LIVING ROOM / KITCHEN - DAY

Nate is by the counter. He is having a cup of coffee and already ready for work. Bianca is sitting near him having breakfast.

NATE

I could hire you as a full time cook. Phoenix Witch or not.

Bianca smiles.

OFF TO PRUE - She comes out of the bedroom. She yawns. Prue is still wearing her pajamas.

Nate and Bianca look at her.

NATE (CONT'D)

Good morning, Sleeping Beauty.

PRUE

Morning, you too. I need some coffee.

NATE

No coffee for you, Mrs.

PRUE

But I ---

Nate takes a glass of orange juice and hands it to her.

NATE

Vitamin C.

Prue grimaces and takes the glass. She has a sip of it.

NATE (CONT'D)

Andrew is finally asleep.

PRUE

I didn’t hear him last night.

NATE

Yeah, well, when you came back to bed you completely turned off your mind from reality. Speaking about it ---

Prue puts the glass of juice on the counter.

NATE (CONT'D)

--- It took you long to come back to bed.

Prue gets caught.

PRUE

Oh, I ---

(pauses)

--- Huh, ended up wondering here a little bit until sleep came back.

NATE

Right. By the way, have you thought about what we talked about last night?

Prue shoots him a look trying to remember. Nate notices it.

NATE (CONT'D)

My friend from college; Johnathan. I told you I wanted to invite him to dinner so you can meet him.

PRUE

Oh, right, I remember now. Sure, you can. Also, invite my sister Cass.

Prue takes a seat by the counter.

PRUE (CONT'D)

Actually, invite both my sisters. It would be a pleasant evening.

Nate seems surprised.

BIANCA

I can prepare dinner for you guys before I leave for P3.

PRUE

You really are Aunt Piper’s perfect daughter-in-law.

Bianca shoots Prue a look who realizes what she just said. Prue looks at Nate.

PRUE (CONT'D)

I mean, if only Aunt Piper needed another daughter-in-law.

Prue smiles.

PRUE (CONT'D)

About tonight. Do that, let’s do this, you ask Cass and I’ll talk to Charlie. Oh, and also Eric.

And that's when Prue is surprised by Nate who kisses her in the mouth. Prue is open-eyed.

NATE

I’m so glad you want to make amends with your sister.

PRUE

I what? Make amends? What do you mean?

NATE

Cassandra and the rivalry between the two of you? Don’t you remember?

Prue and Bianca exchange glances. Then Prue looks at Nate and fakes a smile.

PRUE

Of course, I do remember. That’s why. I think it’s time for us to be sisters. Our bond is stronger than anything, right?!

NATE

I’m so happy for you, love.

PRUE

Yeah.

Nate kisses her again.

PRUE (CONT'D)

Oh, we are a kisser today, huh?!

NATE

I must go to work. I’ll see you tonight.

(to Bianca)

Thank you in advance for the dinner, Bianca.

Bianca smiles. Nate turns around, takes his briefcase and smartphone, and walks towards the entrance door. He opens it and leaves as Prue and Bianca watch him leave.
Then Prue turns to Bianca.

BIANCA

You have no idea what happened between you and your sister. Is that correct?

Prue nods.

PRUE

At least I have another sister to who I can ask to.

SOUND - BABY CRYING.

BIANCA

(complaining)

Oh, not again.

PRUE

Oh, no, that’s a real baby in this reality. Not yours, not even mine, but a baby, and his name is Andrew.

(pauses)

Why would I give him that name, anyway?! It has nothing to do with Tina.

BIANCA

Tina?

PRUE

My daughter.

BIANCA

I thought it was Jo.

PRUE

Oh, it is. Prudence Christina Johanna.

BIANCA

A princess’s name.

PRUE

Daughter of a Queen, huh.

Prue and Bianca smile.

PRUE (CONT'D)

Have you heard the baby’s cry lately?

BIANCA

Every night. But at least I didn’t saw the kid again. He had a sad face.

PRUE

Well, I, on the other side, see Tina every night in my dreams.

Prue takes a deep breath. The baby keeps crying.

BIANCA

Do you want me to ---?

PRUE

No. It’s not mine, but when I’ll fix this, I hope he goes back to his real mum as a healthy baby. 

Prue stands and walks into the bedroom as Bianca watches her leaving. Bianca takes a deep breath.

CUT TO:

INT. MELISSA’S APARTMENT - LIVING ROOM - DAY

Melissa is sitting on the couch and her laptop is on her lap. She is already dressed for work, but she seems to be very focused on what she’s doing.

OFF TO JUNIOR - He comes closer from behind the couch wearing only a pair of pants, shirtless.

He approaches her from behind the couch and kisses her neck. Melissa smiles.

JUNIOR

You left me alone in bed.

MELISSA

Sorry, honey. I had to continue my research.

JUNIOR

And I thought that dying would make you want to spend more time doing things that give you pleasure.

Melissa smiles big.

MELISSA

I still want that. But this is important to.

Junior looks at her computer screen and reads from it.

JUNIOR

(reading)

’Findmyancestry.com’?

Melissa nods.

MELISSA

Didn’t we agree in searching for your real family?

JUNIOR

I know who my real family is.

MELISSA

I’m talking about your mother. You said you wanted to know more about her.

JUNIOR

I did. But she’s dead.

MELISSA

I think you should gather some information from your father.

JUNIOR

Christopher. His name is Christopher. My father’s name is Henry.

MELISSA

C’mon, J. He is your father. It’s about time you get over that.

JUNIOR

Maybe someday.

Junior goes and sits beside Melissa. She puts the laptop on the center table and turns to him.

MELISSA

Look, whether you like it or not, he is your birth father and he has been trying for years to have a good relationship with you and you’ve been pushing him back.

Junior takes a deep breath.

MELISSA (CONT'D)

Take this opportunity. Ask him about your mother. Maybe he knows more and that might help us to find where you came from.

JUNIOR

And to understand why I was blessed with powers.

MELISSA

Exactly. Like I said, knowing what I know from this magical world, I don’t think those powers of yours were given to you just because.

JUNIOR

Do you seriously think that?

Melissa nods. Junior rolls his eyes.

JUNIOR (CONT'D)

Fine. I’ll talk to Christopher.

MELISSA

Father. Your father.

JUNIOR

Christopher.

Melissa shots him a look. Then she kisses him softly.

JUNIOR (CONT'D)

Let’s go back to bed.

MELISSA

No, I need to get to work.

SOUND - TEXT MESSAGE.

ON JUNIOR’S PHONE ON THE CENTER TABLE.

Junior takes the phone and reads the message.

JUNIOR

Great. I have to get to the station as well. It seems like there’s a Jane Doe whose family we must find.

MELISSA

Great.

Both of them stand. Melissa takes her purse and briefcase and turns around, but Junior grabs her arm to hold her back.

JUNIOR

Come here.

Then he pulls her to him and kisses her passionately.

CUT TO:

INT. UNDERWORLD - JARED’S CAVE - DAY

Jared is by the rock water pit. He WAVES his hand over it and some missed images start appearing on it; Prue’s, Wyatt’s, Chris’, Bianca’s, Ella’s, and some others.

ON JARED’S FACE - He smiles.

OFF TO JESSICA - She SHIMMERS in.

Jared raises his eyes to look at his sister.

JARED

I knew you would come.

JESSICA

What? Did you saw it in that water pit dad left you?

Jared smiles.

JARED

I’m not to be blamed that I got this power from dad. You’ve got others. For example, you can create vortexes. I can’t.

JESSICA

But I can’t alter reality. If I could, I would make Prue fade off existence.

Jared rolls his eyes.

JESSICA (CONT'D)

But that has given me an idea. I can create a vortex and send her to another dimension.

JARED

Don’t do that, Jess. Or do you want your hubby to go crazy looking for her?

Jessica sighs.

JARED (CONT'D)

Little sis, ---

Jared walks towards her.

JARED (CONT'D)

--- Just be patient.

JESSICA

What about that potion?

JARED

I told you already. I’m working on it.

JESSICA

You better.

(walks past him)

I can’t stop thinking that she’s the reason he’s not able to ---

JARED

Stop right there. I’m your brother. I don’t care how you do it, okay? You are my baby sister.

Jessica shoots him a look.

JESSICA

Still, you want me to have his child.

JARED

Indeed. That’s why I’m willing to help you to lure your husband to bed. Now that your female attributes are not working out.

JESSICA

(mad)

I’m perfectly aware that my female attributes could lure any man to bed. But this man and Prue are destined to be together. That makes it harder.

JARED

Yeah, yeah, yeah! The whole destiny thing. Well, while we don’t get that potion, we better try to keep them apart.

Jessica looks seriously at him.

JESSICA

Why? Is there anything that can make him remember his feelings about her?

JARED

Of course, there is, sis. That’s why we cannot let our guard down. I’m working on something to keep her busy.

JESSICA

What is it?

Jared smirks.

JARED

Go take care of your husband, sis, while I take care of our plans.

JESSICA

I’m shimmering out right now. A power I got from mum.

Jessica smirks and SHIMMERS out. Jared rolls his eyes.

JARED

Why does she have to be so jealous of me?! 

Jared WAVES his hands again over the water pit and the image of Cassandra appears. She seems serious.

CUT TO:

INT. PRESCOTT GROUP - CASSANDRA’S OFFICE - DAY

ON CASSANDRA - She is serious.

CASSANDRA

Come again!

Nate is there. She has just invited her to dinner.

NATE

It was your sister’s idea.

CASSANDRA

That’s not a good thing, Nate. My sister hates me.

NATE

She doesn’t ---

CASSANDRA

(cuts him off)

She does, Nate. Always did. 

NATE

Cass, you are overreacting. She is just ---

CASSANDRA

Big sister?

NATE

Your big sister, exactly. C’mon, Cass.

Cassandra crosses her arms over her chest. She rolls her eyes.

NATE (CONT'D)

Please.

Cassandra looks at him and takes a deep breath.

CASSANDRA

Okay, fine. But I’m not going because Prue wants me there. I’m going because I miss my nephew and I want to see him.

Nate smiles.

NATE

You won’t regret it.

CASSANDRA

I doubt that.

Nate smiles while she remains serious.

CUT TO:

EXT. SAN FRANCISCO - GOLDEN GATE BRIDGE - DAY

VIEW at the famous bridge.

CUT TO:

INT. MAGIC SCHOOL - BIG HALL - DAY

A few students are there as well as some teachers.

OFF TO PRUE - She BEAMS in and glances around.

CHARLOTTE (O.S.)

Lots of visiting, huh?

Prue turns to face her sister who is standing behind her and smiles.

PRUE

Nice to see you too.

Charlotte smiles.

CHARLOTTE

I just got a message from Cassandra. Is it true?

PRUE

I see Nate already talked to her.

CHARLOTTE

You really want to make amends with her.

PRUE

You know, I really want to. The thing is that my hormones are giving me some sort of memory loss and I can’t remember what happened between us.

Charlotte shoots her a look.

CHARLOTTE

Are you serious?

Prue nods and grimaces.

PRUE

Refresh my memory, please.

CHARLOTTE

C’mon, Prue. I know it has been years since that happened, but every six months you have to deal with it.

PRUE

Deal with what?

Charlotte is confused.

CHARLOTTE

Cass’ ring?

PRUE

Cass’ ring? Should that ring a bell? I gave it back to her before New York.

Charlotte smiles sarcastically.

CHARLOTTE

No, you didn’t.

(pauses)

You took it from her on Cupid’s orders and never gave it back. 

Prue swallows.

PRUE

You must be wrong. She gave it to me willingly.

CHARLOTTE

No, she didn’t. You got orders to take the ring from her. and after that, all these years, every six months, we have a meeting in Cupid’s Temple and you always oppose to give her ring back to her.

PRUE

What?

CHARLOTTE

As her guide, your vote counts more than the rest of the other votes.

PRUE

What?

CHARLOTTE

C’mon, Prue, you’ve been a bitch to her. Well, you were a bitch to me once, but I slept with your ex. I deserved it.

PRUE

Come again?

CHARLOTTE

Don’t tell me you don’t remember I hide from you that I was dating Eric at first.

PRUE

I do remember. But I supported you.

CHARLOTTE

Yeah, after you stayed months without speaking to me.

PRUE

(surprised)

I did that?

Charlotte nods.

CHARLOTTE

You only talked to me again because Nate forced you too. Poor Nate, he thought you still had feelings for Eric, but you were actually mad at me for hiding my relationship with him from you.

PRUE

I wasn’t ---

Prue cuts herself off.

PRUE (CONT'D)

Know what? Yes, I was. That’s me. I’m a bitch.

CHARLOTTE

Prue ---

PRUE

You said it yourself and that’s why I’m going to fix it.

Prue grimaces.

PRUE (CONT'D)

I’m even worse in this fake reality!

Charlotte doesn’t understand. Prue waves goodbye and BEAMS out. Charlotte shrugs.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

OVER BLACK.

FADE IN:

EXT. BAY MIRROR - DAY

STOCK.

CUT TO:

INT. BAY MIRROR - PHOEBE’S OFFICE - DAY

Phoebe is at her computer writing her column. She wears glasses on her face.

SOUND - A KNOCK ON THE DOOR.

Phoebe doesn’t take her eyes from the computer.

PHOEBE

Come in!

Chris comes in.

CHRIS

Aunt Phoebe?

Phoebe looks at Chris.

PHOEBE

Hey, sweetie. Come in.

Chris closes the door behind him and walks towards Phoebe’s desk.

PHOEBE (CONT'D)

What’s going on?

CHRIS

I was wondering if we could talk for a little bit.

PHOEBE

Of course, we can.

Phoebe signs him to sit on the couch. She stands and goes sits in front of him too. Phoebe stares at him waiting for him to start but notices that he seems nervous.

PHOEBE (CONT'D)

What’s going on, Chris?

Chris takes a deep breath.

CHRIS

Well, I’ve been willing to talk to you since Tam’s engagement party.

PHOEBE

About what?

CHRIS

Well, I was told that you could confirm something for me.

PHOEBE

Confirm what?

Chris takes his right hand to his pants’ pocket and takes Bianca’s engagement ring from it. Phoebe stares at it.

CHRIS

I was told you knew what this is.

Chris shows her the ring. As he does, Phoebe’s eyes open widely. Chris notices her expression.

CHRIS (CONT'D)

I take it you know what this is.

Phoebe looks at Chris.

PHOEBE

How did you find it?

Phoebe takes the ring.

CHRIS

So, it’s true?

Phoebe looks at Chris.

CHRIS (CONT'D)

This is Bianca’s engagement ring.

PHOEBE

How did this ring end up in your hands, Chris?

CHRIS

It just appeared at my bedside table.

Phoebe is serious.

CHRIS (CONT'D)

Is it true? The story Prue told me?

PHOEBE

What story?

CHRIS

That I went back in time to save Wyatt and lost Bianca in the process? That I lived another life that never happened because Wyatt was saved?

Phoebe lowers her gaze.

CHRIS (CONT'D)

Why did I never hear about it?

PHOEBE

Because there is not Bianca in this reality. Your mother, Paige, and I agreed to keep it a secret. I mean, you guys heard that Wyatt was saved from becoming evil, but the part about you ---

(pauses)

--- We wanted to spare you. It could confuse your mind.

CHRIS

Well, I am confused already. And there is a Bianca in this reality.

Phoebe is surprised.

PHOEBE

What?

CHRIS

Yeah, she was at Tam’s engagement party.

PHOEBE

I didn’t see her there.

CHRIS

She was there.

Phoebe stands and takes her smartphone from the desk. She dials a number.

PHOEBE

(on the phone)

Hey, Paige. Get to New Orleans and bring Piper here. It’s time for us to have the Chris-Crossed talk.

Chris frowns. Phoebe hangs off the phone and turns to Chris.

PHOEBE (CONT'D)

If we’re having this conversation, they must be here.

Chris and Phoebe stare at each other.

CUT TO:

INT. HALLIWELL’S - DINING ROOM - DAY

Melinda and Christopher are there. They are settling the tables.

OFF TO JUNIOR - He comes in.

Melinda and Christopher look at him.

MELINDA

Hey, cous!

Junior smiles at Melinda.

CHRISTOPHER

Son!

JUNIOR

(rude; to Christopher)

Can we talk?

Christopher and Melinda exchange looks. Melinda nods. Christopher looks at Junior.

CHRISTOPHER

Of course.

MELINDA

Use my office.

Christopher and Junior nod and they head out. Melinda takes a deep breath.

MELINDA (CONT'D)

Oh, those two!

JO (O.S.)

They would be fine.

Melinda turns around. Jo is there. Jo smiles at her.

JO

Hi!

MELINDA

Hi. Can I help you?

JO

We must talk.

Jo and Melinda stare at each other, seriously.

CUT TO:

EXT. NATIONAL MUSEUM - DAY

A group of people going into the museum.

CUT TO:

INT. NATIONAL MUSEUM - TAMORA’S OFFICE - DAY

ON TAMORA - Her eyes are wide open.

TAMORA

What?

Pandora is there, sitting across the desk.

PANDORA

Is it that crazy?

TAMORA

You must think it through. You’ve been dating him for a few months.

PANDORA

But we’ve known each other for years.

Pandora stands.

PANDORA (CONT'D)

I just think that it would be better if he knew the truth about me. That I am a witch.

TAMORA

Half witch.

PANDORA

Whatever.

Tamora stands and approaches her sister.

TAMORA

That’s your decision to make, but are you sure he’s going to take it well?

PANDORA

(grimaces)

I don’t know.

TAMORA

Well ---

An idea crosses Tamora’s mind.

PANDORA

What?

Tamora turns around. Pandora is curious. She knows her sister just though on something.

PANDORA (CONT'D)

Tam?

Tamora turns to her.

TAMORA

The Truth Spell.

Pandora’s eyes open widely.

PANDORA

Do you want me to cast a spell on him?

TAMORA

Why not?

PANDORA

Tam, you know that this thing always goes wrong when one of us is in the middle of it.

TAMORA

Well, you came asking for my opinion. I just gave it to you.

PANDORA

You are so lucky that Sebastian became a Whitelighter. I wanted to see you going through this.

TAMORA

Lucky? I thought he was dead at first.

PANDORA

Technically, he is.

Tamora grimaces.

TAMORA

Fine. Don’t use the Truth Spell. Just take the risk.

Tamora takes some documents from her desk.

TAMORA (CONT'D)

Now, if you’d excuse me, I have to take care of a group of students that are coming to visit the museum.

Tamora walks out of the office. Pandora grimaces.

PANDORA

Why having a twin sister if she only wants you to get in troubles!

Pandora ORBS out.

CUT TO:

INT. UNDERWORLD - JARED’S CAVE - DAY

Jared is there pacing the place.

OFF TO UMA’S GHOST - She appears in front of him. Her ghost seems paler than before.

Jared stops and stares at her.

JARED

You seem more dead than before.

UMA

You told me you could help me. I want to get revenge on my sister.

JARED

Well, I’ve been thinking about it and I have the solution for you.

UMA

Which is?

JARED

I’ll help you to get revenge on your sister if you help me.

UMA

On what? I’m a ghost.

Jared smirks.

JARED

Well, you will actually be helping a woman to get revenge on her sister.

UMA

Sisters are the worse.

JARED

Not all of them, but I understand what you mean. Can I count on you?

Uma’s ghost nods.

JARED (CONT'D)

Great. Tonight, we’ll have some fun.

Jared smirks.

CUT TO:

INT. HALLIWELL’S - MELINDA’S OFFICE - DAY

Junior and Christopher are sitting at the table across from each other. They stare at each other.

CHRISTOPHER

Well, son?

Junior looks aside as he hears him calling him ‘son’.

CHRISTOPHER (CONT'D)

I know you don’t like me to call you son, but that’s who you are.

JUNIOR

Look, I just want to know more about her.

CHRISTOPHER

About who?

JUNIOR

Mia.

Christopher smiles.

CHRISTOPHER

Your mother. She was the most beautiful woman I ever knew.

JUNIOR

And still, you made her suffer.

CHRISTOPHER

And I regret it.

JUNIOR

I’m not here to talk about how much you regret doing the things you did. What I need is to know more about her. Who was Mia and where did she come from? My grandparents' name. Everything.

CHRISTOPHER

Mia Bowen.

JUNIOR

Bowen?

CHRISTOPHER

Her mother was a cooker in a family house. Her name was Georgina Bowen. She raised Mia away from her father. All I know is that he wasn’t a good person and they just moved to San Francisco a few months before I met Mia. According to your mother, they used to move every now and then.

(pauses)

Then, a while after I met your mother, Georgina died. I never knew how. Mia never told me. We were together for a few months, but I knew if she stayed with me, she could be in danger. My father had enemies and they could hurt Mia to hurt me and therefore my father.

JUNIOR

But she got pregnant.

CHRISTOPHER

I only found out when Paige looked for me. Before I went to prison.

JUNIOR

What else?

CHRISTOPHER

That’s all I know. She never mentioned anything else.

Junior takes a deep breath and stands.

JUNIOR

Well, thank you.

Christopher stands.

CHRISTOPHER

Wait, son. Are you leaving already?

JUNIOR

I have work to do. I have I body to put a name on. Thank you, Christopher.

And just like that, Junior walks out. Christopher is thoughtful.

CUT TO:

INT. HALLIWELL’S - DINING ROOM - DAY

Melinda and Jo are sitting at one of the tables. They stare at each other.

MELINDA

Well, I’m listening.

Jo smiles.

MELINDA (CONT'D)

What do you want to talk to me about?

JO

I want to know a little more about you and your family.

MELINDA

Wow, you are heading straight to the point.

Jo smiles again.

JO

You still don’t trust me.

MELINDA

I didn’t say that.

JO

Look, I just want to help Prue.

MELINDA

All her confusion started when you appeared.

JO

Believe me, I have nothing to do with it. I’m just a friend.

Melinda is serious.

JO (CONT'D)

To be honest, I’m more than just a friend. You can say that I’m like family.

Jo takes a deep breath.

JO (CONT'D)

You believed me once, Mel, so I guess you can believe me again. And I can trust you.

MELINDA

On what?

JO

I’m Prue’s daughter.

Melinda’s eyes open widely.

JO (CONT'D)

From the future.

MELINDA

What? Are you the daughter she’s expecting?

Jo shakes her head.

JO

Those are my sisters.

MELINDA

How many kids will that woman have?!

JO

Only three that I know of. Me and my sisters.

MELINDA

But Andrew ---

JO

There’s not an Andrew where I come from.

MELINDA

What?

JO

That’s what’s happening to Prue. She and I came from another reality. That’s why she seems oblivious of some things.

(shrugs)

She never lived them.

MELINDA

That’s insane.

JO

Then you can understand that this is insane for me and Prue.

Melinda stands. She seems confused.

MELINDA

How can I know that you are not lying to me?

JO

You can’t. Not yet. But you can help me by telling me what has happened in this family’s life. Every important fact. Last night I read in a book I took from Magic School that a single event can alter an entire reality.

MELINDA

How did you get into Magic School?

JO

Because I’m a witch.

(pauses)

Actually, I am a triple hybrid.

MELINDA

(surprised)

Triple?

JO

I am Prue’s daughter. I told you.

MELINDA

Nate is not magical. Being Prue’s daughter doesn’t make you a triple hybrid.

JO

That’s because my father is part Whitelighter.

MELINDA

(astonished)

What? Prue loves Nate, she would never be with someone else but Nate.

Jo shoots her a look.

JO

They are meant to be.

MELINDA

Who? Prue and who?

JO

I can’t tell. You only need to know that they’re destined.

Melinda is serious.

MELINDA

This is too much for me.

JO

Look ---

Jo stands and approaches Melinda.

JO (CONT'D)

--- Think about it and then give me an answer. Just don’t let Prue know that I told you. She would freak out if she knows that I didn’t ask her first.

(pauses)

Then, just get in touch. Just don’t take too long. My whole life depends on it.

MELINDA

What do you mean?

JO

I mean, that if we don’t fix this crazy thing, I can fade off existence. If there isn’t a Prue and my father, then there won’t be a Jo Halliwell.

Both women stare seriously at each other.

CUT TO:

EXT. CUPID’S TEMPLE - DAY

The Temple is hovering over the Mediterranean Sea.

CUT TO:

INT. CUPID’S TEMPLE - MAIN SQUARE - DAY

Some cupids are there.

Prue BEAMS in. she glances around.

PRUE

This seems the same.

Alyssa is there and sees Prue.

ALYSSA

Prue?

Prue turns around and sees Alyssa.

PRUE

Alyssa, hi! Just the one I wanted to see.

Alyssa walks towards Prue.

ALYSSA

What are you doing here?

PRUE

I need a favor.

ALYSSA

Do say.

Prue smiles.

PRUE

My sister’s ring. I need it back.

Alyssa is caught by surprise.

ALYSSA

What?

PRUE

Yeah, I know I always voted against it, but I believe she deserves it back.

ALYSSA

I don’t have the power to decide that, Prue.

PRUE

Well, then I’ll talk to the boss.

Prue walks past Alyssa.

ALYSSA

Prue, wait!

Prue keeps walking away. Alyssa rushes to follow her.

CUT TO:

INT. CUPID’S TEMPLE - CUPID’S ROOM - DAY

The room where Cupid’s Bow is kept.

ON THE DOOR - It opens and Prue comes in. She glances around.

PRUE

Well, well, well. Here we are again.

Alyssa comes in behind Prue.

ALYSSA

Prue, you cannot be here.

PRUE

Oh, don’t worry. I’ve been here before.

Alyssa doesn’t understand.

PRUE (CONT'D)

Cupid!

CUPID (O.S.)

Prue? Who authorized you to come here?

Prue smirks.

PRUE

You should know by now that no one can stop me.

CUPID (O.S.)

What do you want?

PRUE

My sister’s ring back.

ALYSSA

Cupid, I tried to ---

PRUE

She tried to stop me, but she couldn’t. You guys should know better.

Prue looks at the bow.

PRUE

I could put my hands on that, you know.

CUPID (O.S.)

You wouldn’t.

PRUE

I would. I did.

Prue walks towards the bow, staring straight at it.

PRUE (CONT'D)

And I enjoyed it, to be honest. But I won’t.

(looks up)

I just want my sister’s ring back.

ALYSSA

You always said that Cassandra didn’t know how to be responsible enough to carry a ring.

PRUE

I was wrong. This Prue is not the real Prue.

CUPID (O.S.)

What are you talking about?

PRUE

Believe it or not, this reality is not real. That’s why I need to get her ring back. Every little thing can trigger a memory. It’s happening to Chris and it can happen to my sister. I need all of them to fight this with me.

Alyssa stares at Prue seriously. Cupid is silent. Prue turns to Alyssa.

ALYSSA

Prue, that’s nonsense.

Prue sighs.

CUPID (O.S.)

Give her the ring.

ALYSSA

What?

Alyssa is surprised. Prue smiles.

CUPID (O.S.)

Just do it, Alyssa.

ALYSSA

As you wish, Cupid.

Alyssa turns around and leaves the room.

PRUE

Thank you, Cupid.

CUPID (O.S.)

I don’t know why, but I feel like I can trust you.

PRUE

You really can.

Prue looks at the Bow.

PRUE (CONT'D)

I took it once. I infected it with evil. But not to play the Evil Queen. It was to protect it.

(looks up)

Thank you, Cupid.

Prue turns around and leaves the room.

ON CUPID’S BOW - It shines.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

OVER BLACK.

FADE IN:

INT. BAY MIRROR - PHOEBE’S OFFICE - DAY

Piper, Phoebe, and Paige are there with Chris. Chris stares at the three of them.

CHRIS

Well? I’m waiting.

Piper, Phoebe, and Paige exchange glances.

PIPER

What do you know?

CHRIS

What Prue told me and what I saw in my dreams. Wyatt was evil and Bianca was giving me this ring.

Chris shows them the ring.

PHOEBE

And apparently, Bianca is real here.

PAIGE

But how did Prue know? Phoebe did you told your daughter about it?

PHOEBE

I never did. She must have had a vision.

CHRIS

She didn’t.

PIPER

Then how does she know?

CHRIS

According to her, we are not in the real reality. She said that the life we know is fake.

PHOEBE

What? I thought my daughter was only confused.

CHRIS

Well, this is confusing enough, Aunt Phoebe. First, let’s focus on this problem I’m having right now.

The three women exchange glances. Then Piper looks at Chris and signs him to sit. He does and she sits beside him.

PIPER

It happened before you were born. You came here from the future saying that you came from a world where someone turned Wyatt evil.

PAIGE

Gideon.

PIPER

An Elder.

CHRIS

(surprised)

What?

PHOEBE

Wyatt was in charge of the World and it was bad.

PIPER

There, you met Bianca and fell in love with her.

CHRIS

She is a Phoenix Witch.

PHOEBE

But she changed for you.

PAIGE

But Wyatt sent her back in time to get you to the future.

PHOEBE

She did and there you and Wyatt had a fight and before you came back to our time, he killed her.

Chris gets thoughtful.

CHRIS

I saw that in my dream.

(looks at them)

In my memory. That’s what it is. A memory.

Piper, Phoebe, and Paige nod.

PHOEBE

You came back to our time and gave the ring to me. To keep it.

PIPER

We never thought that Bianca could ever appear again. 

(to Phoebe)

Is she really working at P3?

Phoebe nods.

PHOEBE

According to Chris, she is.

PAIGE

Are we sure this is the same Bianca?

PHOEBE

How many Phoenix Witches named Bianca would be out there?

PIPER

Your daughter hired a Phoenix Witch to manage P3?

PHOEBE

Get over it, Piper. That’s not the point.

PIPER

No, it is. What the hell is wrong with her?

Piper seems mad.

CHRIS

Mum, it doesn’t matter. If this story is truth ---

PIPER

It changes nothing, Chris.

CHRIS

It changes everything.

Chris stands.

PAIGE

You are married to Ella, Chris. You cannot throw away your wedding because of someone you just met.

CHRIS

I’m not throwing away anything, Aunt Paige. I love Ella.

PIPER

What the hell was Prue thinking telling you about this?!

PHOEBE

Can we go back now about the fake reality thing?

Chris turns to them.

CHRIS

Look, forget what I said. Maybe she had a vision indeed.

PAIGE

But you said ---

CHRIS

Forget what I said. You know Prue. Last time, the hormones affected her powers, now it might be affecting her mind.

PAIGE

Do you mean that she’s getting crazy?

PHOEBE

Paige!

Paige shrugs.

CHRIS

I mean, that she might be having some sort of feeling that something can happen and it’s not separating what’s real and what’s not. You know? Forget about it.

And just like that, Chris ORBS out.

PIPER

Get your daughter here, Phoebe. We need to have a chat.

Piper and Phoebe stare at each other.

CUT TO:

EXT. S.F. POLICE DEPARTMENT - DAY

STOCK.

CUT TO:

INT. S.F. POLICE DEPARTMENT - MAIN ROOM - DAY

Junior is at his desk reading some documents.

OFF TO THE DOORS - An officer walks in followed by a woman, SANVI (28) and a man, LEX (28). Sanvi and Lex seem shattered.

The officer walks towards Junior’s desk. Junior looks up at him.

OFFICER

This is Miss Rege and Mr. Foxwell. 

Junior stands and reaches out his hand. Lex and Junior shake hands.

JUNIOR

I’m inspector Mitchell.

SANVI

Have you found my sister?

Junior looks at Sanvi and takes a deep breath.

JUNIOR

Miss Rege, we believe we have.

LEX

Where’s my wife?

Junior and the officer exchange glances. Then Junior signs him to leave. Junior then signs Sanvi and Lex to take a seat, which they do.

JUNIOR

When was the last time you saw Mrs. Uma Rege?

Sanvi and Lex exchange glances. Then they turn to Junior.

SANVI

It was last night. She ---

Sanvi seems a little shattered and is unable to finish the sentence.

LEX

She left Sanvi’s apartment mad. We went after her, but we didn’t find her.

JUNIOR

Did something happen? Why did she leave mad?

Lex lowers his gaze. A tear runs down Sanvi’s face.

SANVI

She found the two of us together.

Junior is admired.

JUNIOR

Huh! You two have an affair?

Lex and Sanvi look at him.

SANVI

We love each other and we were going to tell my sister.

LEX

But then she found out and ---

(cuts himself up)

Where is she, inspector?

Junior looks at them both.

JUNIOR

(cold)

She’s dead.

Sanvi and Lex exchange glances.

JUNIOR (CONT'D)

She was hit by a car last night.

(pauses)

I guess you would want to go back in time and tell her what the two of you were doing, huh?!

Sanvi swallows. Then she starts crying.

SANVI

(crying)

My sister!

Lex touches her shoulder trying to comfort her. Junior stares at them both.

CUT TO:

INT. PRUE’S CONDO - MAIN BEDROOM - DAY

Prue comes from the bathroom. She’s on the phone.

PRUE

(on the phone)

Mum, I can’t right now.

(pauses)

Can you tell me what’s this about?

She rolls her eyes.

PRUE (CONT'D)

(on the phone)

Okay, tomorrow. I’m sure whatever it is, it can wait.

(pauses)

Sure, it can, mum. Bye.

Prue hangs off the phone. She is mad.

OFF TO THE ENTRANCE - Bianca comes in.

BIANCA

Something wrong?

Prue turns to her.

PRUE

Mum was weird. She said that she and my aunts want to have an important talk with me.

BIANCA

About what?

Prue puts the smartphone on the bed.

PRUE

You.

Bianca frowns.

BIANCA

I don’t even know them. Jo asked me to keep a low profile on Tamora’s engagement party and I did.

PRUE

I know. But I told Chris that my mother could corroborate the story I told him.

BIANCA

What story?

PRUE

About you and the other reality were Wyatt was evil.

BIANCA

That.

PRUE

Yeah. And if I know mum and my aunts, they must want to know how I know about that.

BIANCA

What are you going to tell them?

PRUE

Not the truth for sure. They would think I’m crazy.

Prue sits on the edge of the bed.

PRUE (CONT'D)

I remember when they found out about me and Wyatt. Imagine if I tell them that there’s another reality where the two of us are actually married.

BIANCA

If you love each other I don’t see why it is wrong.

ON BABY ANDREW - He is in the crib and starts crying.

Prue and Bianca exchange glances.

BIANCA (CONT'D)

At least this one is real and we can make him stop crying.

Prue stands and walks towards the crib. She stares at baby Andrew.

PRUE

His real mother must be missing him just like I miss my Tina.

BIANCA

Why are you so sure that he belongs to another woman?

Prue looks at Bianca.

PRUE

Because I’m a mother. I can feel him. Every night when he cries, he is not crying for me. He’s crying for her.

BIANCA

Is there any possibility that he is Matt?

PRUE

No, I don’t think so. I remember Matt’s little face.

(looks at the baby)

This is different. Matt and Jo are lost in between realities. This baby has a mother out there.

SOUND - Prue’s phone rings.

Prue walks towards it and picks up the phone.

PRUE (CONT'D)

Unknown number.

(on the phone)

Yes?

(pauses)

Blanche.

(pauses)

Of course. Yeah, I’ll be waiting for you tomorrow. Bye.

Prue hangs off the phone. She looks at Bianca.

PRUE (CONT'D)

It was Blanche. She wants to meet tomorrow when she arrives in San Francisco.

BIANCA

Did she find out something?

PRUE

It looks like by the tone of her voice.

Both women look at each other seriously.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL FOOTAGE all over the town.

CUT TO:

EXT. BAY MIRROR - EVENING

ON BAY MIRROR SIGN.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - WYATT’S OFFICE - EVENING

Wyatt is at his computer looking to the screen, but it seems like his mind is far away from his body.

Tired, he leans back on his chair and takes a deep breath. Then he runs his fingers through his hair.

SOUND - A KNOCK ON THE DOOR.

Wyatt looks at the door.

WYATT

Come in!

The door opens and Chris peeks inside. Wyatt looks at him.

WYATT (CONT'D)

Why did you wait until I asked you in?

CHRIS

(coming in)

Well, because I wanted to make sure you were alone.

Chris closes the door behind him.

WYATT

Why wouldn’t I?

CHRIS

Lately, your wife has been visiting more often.

Chris shoots Wyatt a look. Then Chris sits in front of Wyatt.

CHRIS (CONT'D)

What’s going on between you two?

Wyatt takes a deep breath.

WYATT

I and Jessica ---

The words don’t come out easily for Wyatt.

WYATT (CONT'D)

--- We haven’t been ---

(stutters)

--- We, huh ---

CHRIS

You haven’t had sex.

WYATT

Hey!

CHRIS

I’m your brother. You are supposed to tell me everything.

Wyatt looks aside.

WYATT

Yeah. We haven’t had sex.

(looks at Chris)

I’m haven’t been in the mood.

Chris raises his eyebrows.

CHRIS

Why?

WYATT

I wish I knew. I guess I’m just tired. Jessica keeps presuring me and always saying that we must have a child soon and I guess that’s having a secondary effect in the way I feel when I’m with her.

CHRIS

Interesting.

WYATT

(mad)

That’s not interesting, Chris. I’m worried.

CHRIS

Do you still love her?

WYATT

What kind of question is that? Of course, I do.

CHRIS

I’m just asking. Maybe you met someone that you can’t get off your mind.

WYATT

I haven’t met anyone, Chris. Besides, I’m married.

CHRIS

What about Prue?

Wyatt and Chris stare at each other seriously.

WYATT

What? Why are you asking me about Prue? She’s my cousin.

CHRIS

No, I mean, you’ve been worried about her lately. I mean, we all have.

Wyatt, serious, puts his elbows on the desk and joins his hands as he stares at Chris.

WYATT

Oh, so you and Ella haven’t you know what because you are worried about Prue too?

Chris smiles sarcastically.

WYATT (CONT'D)

I thought you were supposed to tell me everything once I’m your brother. 

Chris takes a deep breath.

CHRIS

Nice played.

Wyatt smiles.

CHRIS (CONT'D)

It has to do with Prue, but it’s not Prue.

WYATT

Does it have something to do with your nightmares?

CHRIS

I guess so.

WYATT

What are they about, Chris?

Chris gets serious.

CHRIS

Did you know that I went back in time once to save you from becoming evil?

Wyatt is surprised.

WYATT

Come again.

CHRIS

Yeah. Mum and the aunts confirmed that to me earlier today.

WYATT

That’s not possible, Chris. I was saved yes, but they never mentioned you came back in time.

CHRIS

Well, I did and it looks like in the reality I came from, the one where you were evil, I was engaged to Bianca.

Wyatt raises his eyebrows.

WYATT

Bianca? Phoenix Witch Bianca?

Chris nods.

WYATT (CONT'D)

What does it mean?

CHRIS

I don’t know. The one thing I know is that Prue was right about it.

WYATT

Wait, how come?

CHRIS

She was the one who told me that my nightmares were actually a memory from another time. A life I never came to live.

WYATT

How did she know?

CHRIS

She just does.

WYATT

Wait, is that the reality she told you about?

Chris shakes his head.

WYATT (CONT'D)

Then?

CHRIS

It looks like I’ve been through a lot in my life and I don’t really know about it.

Wyatt leans back on his chair.

WYATT

If she was right about that, then ---

CHRIS

No, Wyatt. Stop it right there.

Chris stands.

CHRIS (CONT'D)

The other thing, the Charmed Ones, the Destined Ones ---

(pauses)

--- All that nonsense she told me about ---

(pauses)

--- That can’t be real. We are talking about a reality where everything that we know and have is not real.

WYATT

(stands)

She told you more than what you shared with us, didn’t she?

Chris and Wyatt look seriously at each other.

CHRIS

Why do you think she did?

WYATT

Because I know she did. When I found her at the top of the bridge, she acted weird. As if we ---

CHRIS

Had feelings for each other?

Wyatt looks seriously at Chris and swallows.

WYATT

That’s impossible, right?

CHRIS

You tell me.

(pauses)

Do you love her as a cousin or as a woman?

WYATT

Chris ---

CHRIS

You are the one that can answer that question, Wyatt. As for me, I can tell you that there was a day I would believe the two of you were made for each other. Then you followed different paths.

WYATT

She’s my cousin, Chris. I’m married. She’s married.

CHRIS

That doesn’t answer my question, Wyatt.

Wyatt looks aside. He takes his hands to his hips and takes a deep breath.

WYATT

(looks at Chris)

We should better go home to our wives, Chris. Whatever Prue believes is real, is not.

Chris nods.

CHRIS

I hope you’re right, brother. Because if this life we’re living is not real and we do nothing to fix it, I don’t know what would that mean for us.

Both brothers stare seriously at each other.

CUT TO:

EXT. PRUE’S CONDO - EVENING

STOCK.

CUT TO:

INT. PRUE’S CONDO - DINING ROOM / LIVING ROOM - EVENING

ON THE TABLE - It is set for dinner.

Bianca is carrying baby Andrew.

OFF TO PRUE - She comes from her bedroom wearing a short dress.

Bianca looks at her.

BIANCA

I’ll put Andrew in his bed and head to P3.

PRUE

Are you sure you don’t want to stay for dinner?

BIANCA

I’m sure, Prue.

SOUND - DOORBELL.

BIANCA (CONT'D)

I’ll shimmer out.

Prue nods. Bianca walks into the main bedroom as Prue walks towards the door and opens it.

Charlotte, Eric, and Cassandra are there.

PRUE

(smiles)

Hey!

Prue signs them to come in. They do. Charlotte and Eric both greet Prue and come in. Cassandra and Prue look at each other.

PRUE (CONT'D)

Hey, little sis.

CASSANDRA

Hey.

Cassandra sounds cold. Prue is about to greet her, but Cassandra walks past her. Prue and Charlotte exchange glances. Then Prue closes the door.

PRUE

Thank you for coming.

ERIC

Thank you for inviting us.

CHARLOTTE

Where’s Nate?

OFF TO NATE - He comes from the main bedroom.

NATE

Right here.

CASSANDRA

Where’s my nephew.

NATE

Bianca just put him in bed. He’s asleep.

CASSANDRA

It’s a shame. I wanted to see him.

PRUE

You’ll have the chance. He doesn’t stay asleep for too long.

ERIC

Really?

NATE

Yeah. Lately, if he sleeps one hour is too much.

ERIC

That’s weird. He should be sleeping like three or four hours by now.

PRUE

Yeah, but he isn’t.

Prue approaches Cassandra.

PRUE (CONT'D)

I’m glad you came.

Cassandra shoots Prue a look.

PRUE (CONT'D)

It’s true.

CASSANDRA

Well, I’m glad that you invited me.

PRUE

I guess we haven’t been in a good spot lately, huh?!

CASSANDRA

If by lately you mean our entire life, yes, that’s true.

Prue and Charlotte exchange glances. Then Prue turns to Cassandra.

PRUE

I know I haven’t been a very good sister to you, Cass.

Cassandra looks aside.

PRUE (CONT'D)

I think it’s about time this returns to you.

Cassandra looks at Prue as she reaches out her hand with her fist closed.

ON PRUE’S FIST - She opens it slowly and --- BEAT. Cassandra’s ring is there.

CASSANDRA

(surprised)

My ring!

Charlotte, Eric, and Nate are surprised. Cassandra looks at a smiling Prue.

CASSANDRA (CONT'D)

My ring?

PRUE

Your ring.

Cassandra takes it.

PRUE (CONT'D)

I know it doesn’t erase the way I treated you for the past years, but it can allow us to have a fresh start.

Cassandra looks at Prue. She’s astonished. Charlotte smiles.

CASSANDRA

You didn’t trust me, Prue.

PRUE

I know. I was wrong. Put it on.

Cassandra puts the ring in her finger. Then she looks at Prue and smiles.

CASSANDRA

Thank you.

Prue smiles.

SOUND - DOORBELL.

NATE

That must be Johnathan.

Nate starts walking towards the door.

CASSANDRA

Johnathan?

(astonished)

Johnathan who?

PRUE

Johnathan your boss. He and Nate were friends at college.

Cassandra is open-mouthed. Nate opens the door and ---

Johnathan stands there with a smile in his face, wearing a suit with no tie. He is holding a wine bottle.

NATE

Hey, mate! Come in.

Johnathan comes in and his eyes meet immediately Cassandra’s.

JOHNATHAN

Hello everybody.

Nate closes the door and makes the introductions.

NATE

This is my wife, Prue.

PRUE

Hello.

NATE

Her sister, Charlotte and her boyfriend Eric.

ERIC

Nice to meet you.

NATE

And well, you already know Cassandra.

Johnathan looks at Cassandra who deviates her glance from him.

JOHNATHAN

Your parents did a good job.

(to Nate and Eric)

The three of them are beautiful.

ERIC

And I was lucky cause I got the chance to date two of them.

PRUE / CHARLOTTE

Eric!

Eric smiles.

NATE

(to Eric)

Yeah, not a good memory, mate.

ERIC

It was supposed to lighten the mood.

PRUE

Well, we can pass to dinner right now. It was prepared by someone who actually knows how to cook.

Prue smiles and signs them to head to the table. They do. Prue leans over Cassandra and whispers something to her.

PRUE (CONT'D)

He’s handsome.

Cassandra shoots her a look.

CASSANDRA

He’s annoying.

Cassandra rolls her eyes and heads to the dining table. Prue smiles.

The camera moves away to the door that leads to the balcony.

BEAT. There are Jared and Uma’s ghost peeking inside.

UMA

Which one?

JARED

The younger. Not matter her fake smile, she hasn’t forgiven her sister. You just have to increase her rage.

UMA

Will they see me?

JARED

You are a ghost and they are witches. Be fast and they won’t see you.

Uma nods and MOVES FAST. The camera only catches her as a wind blow as she moves really fast towards Cassandra and ---

BEAT. She enters her body.

Cassandra coughs. They look at her.

PRUE

Cass, are you okay?

ON CASSANDRA’S FACE - She stops coughing and raises her glance. Her expression shows rage.

Cassandra looks at Prue who finds her sister look on her weird.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

OVER BLACK.

FADE IN:

EXT. HALLIWELL’S - NIGHT

From the outside, the restaurant seems crowded.

CUT TO:

INT. HALLIWELL’S - DINING ROOM - EVENING

The restaurant is crowded. Piper is there at the counter. Melinda comes with a tray.

MELINDA

Thanks for helping, mum.

PIPER

Nonsense. If I was in town why wouldn’t I?!

MELINDA

You have work enough in New Orleans, mum.

PIPER

Leo is taking care of the restaurant today. I still have somethings to take care of.

MELINDA

Like what?

Piper forces a smile.

PIPER

Nothing you should worry about.

Damon comes from the pantry.

DAMON

Here are the bottles of wine.

Piper turns to him and takes the bottles.

PIPER

Thank you. I’ll take them to the customers.

Piper takes the bottles and walks out the counter. Melinda turns to Damon.

MELINDA

Thank you, honey. You came for dinner and I dragged you to this.

DAMON

Don’t be silly. I like to help.

Melinda smiles.

DAMON (CONT'D)

About your doubt. I think you should talk to that Jo and hear what she has to say.

Christopher passes by holding a tray with some courses.

CHRISTOPHER

Lots of main courses walking through.

They look at Christopher as he struggles to get all the requests to the tables. Then Melinda turns to Damon.

MELINDA

Do you really think that?

DAMON

Mel, we already know that she’s not a demon. Maybe there’s something we are missing here.

Damon holds her hands.

DAMON (CONT'D)

Go and talk to her.

Melinda takes a deep breath. She glances around.

The place is crowded.

MELINDA

I guess it will have to wait for tomorrow.

She turns to Damon.

MELINDA (CONT'D)

There’s a lot to do tonight.

Damon nods.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - EVENING

The bar is getting crowded too. Jo is inside the bar preparing some drinks. Bianca comes with a tray.

BIANCA

Two margaritas for table ten.

JO

Got it.

Bianca looks around.

BIANCA

Don’t you think we need some extra help?

JO

Well, in my other reality the bar had enough people working on it, here it seems like we could use some extra hands.

BIANCA

I’m jealous of that reality of yours.

Jo smiles.

BIANCA (CONT'D)

Have you found anything else?

JO

(shakes her head)

I’m counting on Mel to give me more information. I need to create a chronological list so I can figure out what changed.

BIANCA

Great.

OFF TO WYATT AND CHRIS - The approach them.

CHRIS

Hey, girls!

Jo and Bianca look at them. They are surprised to see them there.

JO

Wyatt! Chris! What are you doing here?

WYATT

I own the place. Half of it at least. Need help?

Jo smiles.

JO

Always.

Wyatt smiles.

CHRIS

I can give a hand too.

Chris and Bianca exchange glances.

CHRIS (CONT'D)

With one condition. Is there something to eat?

Wyatt smiles.

CHRIS (CONT'D)

Wyatt and I didn’t have dinner yet.

JO

What happened?

WYATT

Let’s say that both Chris and I are not willing to get home this soon.

JO

Troubles in paradise?

WYATT

You have nothing to do with that, girl.

JO

My name is Jo, Wyatt. And for your information, I have a lot to do in that.

Jo finishes preparing the margaritas and puts the glasses on Bianca’s tray. Chris and Wyatt exchange glances. Then Jo turns to them.

JO (CONT'D)

(to Wyatt)

Can you get more vodka from the storeroom?

WYATT

And I thought I was the owner.

Wyatt shrugs and leaves. Chris looks at Jo. Jo looks at Chris.

JO

What?

CHRIS

You and Wyatt ---

(pauses)

--- There’s something. You look a little like him.

Jo is surprised.

CHRIS (CONT'D)

Am I crazy or that has something to do with you being Prue’s daughter?

Jo looks seriously at him.

JO

I’m not going to try to convince you of something you don’t believe, Chris.

CHRIS

If Prue’s your mother, who’s your father?

JO

Why would I tell you? You won’t believe it.

CHRIS

I might be getting crazy, but I’ve been farther from believing this nonsense.

Jo lowers her gaze. Then she looks straight to Chris.

JO

You said it yourself.

(pauses)

I look a little like Wyatt.

Both stare at each other seriously.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

FAST MOTION VIEW all over the town.

CUT TO:

INT. SANVI’S HOME - LIVING ROOM - NIGHT

Sanvi and Lex come in. He has his left arm over her shoulders. She seems very sad and like she hasn’t stopped crying.

LEX

We must take care of the funeral now.

SANVI

She died hating me, Lex.

Lex helps Sanvi to sit on the couch.

LEX

Uma was a good woman. She loved you.

SANVI

She caught the two of us together, Lex. It doesn’t matter how much she loved me. I was her big sister. I was supposed to take care of her and what did I do to her?

Lex sits beside her. She looks at him.

SANVI (CONT'D)

I slept with her husband.

LEX

We didn’t plan this, Sanvi. It happened. Besides, things between me and Uma were not okay anymore.

SANVI

It doesn’t matter. You were still married.

LEX

We won’t solve things by punishing ourselves.

Lex takes Sanvi’s hand and squeezes it.

LEX (CONT'D)

We must get in touch with your family now and let them know what happened.

SANVI

They will blame me.

LEX

We won’t tell them anything.

SANVI

But ---

LEX

No, Sanvi.

He wipes out Sanvi’s tears.

LEX (CONT'D)

Let’s not make it worse. It’s for the best.

(kisses her)

Okay?

Sanvi nods and the Lex hugs her.

CUT TO:

INT. PRUE’S CONDO - DINING ROOM - NIGHT

Prue, Nate, Charlotte, Eric, Cassandra, and Johnathan are having dinner.

Everything seems normal. Everything, but Cassandra. Possessed, she can’t keep her glance off Prue.

Prue sips her orange juice and looks at Cassandra who hasn’t even touch her food. Cassandra just stares at Prue.

PRUE

Is everything okay, Cass? Isn’t the food good?

Cassandra says nothing. They all look at Cassandra. Charlotte and Eric exchange glances.

CHARLOTTE

Cass?

Cassandra looks at Charlotte.

CHARLOTTE (CONT'D)

It’s your favorite dish.

JOHNATHAN

Really?

Johnathan looks at Cassandra. Cassandra looks at Prue.

JOHNATHAN (CONT'D)

I love Indian food and Chicken Tikka Masala is my favorite.

NATE

(to Johnathan)

I didn’t know you were an Indian food fan!

JOHNATHAN

I am a man full of surprises.

Prue feels Cassandra’s glance on her.

ON CASSANDRA’S FACE - Her expression suddenly hardens.

Cassandra stands mad and takes her glass and throws it against Prue who lowers down. The glass doesn’t hit her.

Charlotte stands astonished.

CHARLOTTE

Cassandra!

Nate, Eric, and Johnathan are astonished as well.

NATE

What the hell, Cass?!

CASSANDRA

(to Prue)

You never loved me!

PRUE

Cass!

CASSANDRA

The big sister, my ass. You never cared about me. You betrayed me.

PRUE

What?

Charlotte approaches Cassandra and touches her shoulder. Cassandra turns around and pushes Charlotte back.

CASSANDRA

(to Charlotte)

And you always excused her actions.

Prue stands.

PRUE

Cassandra, what the hell is going on with you?

Cassandra turns to Prue.

CASSANDRA

Hell is what my life became the day you played your cards against me, sis!

Eric approaches Charlotte and helps her stand.

JOHNATHAN

(to Nate)

What is happening?

Nate shrugs.

CASSANDRA

(to Prue)

You never did anything for me. You always wanted to see me down.

PRUE

That’s not true. All I did, I did it because I care about you.

CASSANDRA

You care not about me. You only thought of yourself. The great Prue Halliwell.

PRUE

Oh, I haven’t been there in a while, sis.

Cassandra walks towards Prue and both of them stand face to face.

CASSANDRA

You are the worse big sister ever.

CHARLOTTE

Cassandra, that’s unfair.

Prue turns to Nate.

PRUE

Honey, I guess you and your friend must leave this room.

NATE

Why?

PRUE

Trust me, please.

Prue expression gives away what she’s thinking. Nate understands and approaches Johnathan.

NATE

C’mon, mate. This is sisters’ issues.

JOHNATHAN

But ---

NATE

C’mon. You haven’t met my son yet.

Johnathan nods and both end up leaving the room. Prue turns to Cassandra.

CASSANDRA

Were you afraid that I hurt your dear one?

PRUE

No, honey. I don’t want the thing that’s inside of you hurting innocent people.

CHARLOTTE

What? Is she possessed?

ON CASSANDRA - At that moment, her face FLASHES. It turns into a ghostly version of Uma and then turns back into Cassandra.

Charlotte and Eric are astonished.

CHARLOTTE (CONT'D)

Oh my God!

CASSANDRA

Elder sisters are the worst thing.

PRUE

You’ve got issues and I recommend you find the right person to solve them with. That’s not us.

Cassandra turns to Prue.

CASSANDRA

You’re right!

(smiles)

I have a body to do it. A body with powers.

PRUE

I didn’t mean that!

And just like that Cassandra BEAMS out. Prue looks at Charlotte and Eric.

ERIC

Did you seriously send her to find someone she wants to hurt?

Prue shrugs.

PRUE

I couldn’t imagine she could use my sister’s body.

CHARLOTTE

How would we find her now?

They stare at one another.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT

Jo, Wyatt, Chris, and Bianca are inside the bar preparing drinks. The bar is crowded. The four of them seem like in a good mood.

OFF TO THE ENTRANCE - Jessica and Ella come in. The two of them look around and come downstairs. They spot their husbands.

ELLA

You were right. They are here.

JESSICA

Of course, I was right. After this morning, what makes you think that they could come back home to us?

ELLA

Maybe us.

JESSICA

They have other things on their minds.

ELLA

(looks at Jessica)

Like what?

Jessica shoots her a look. Then they both walk towards the bar.

Inside the bar, both Jo and Wyatt seem to have complicity.

JO

I didn’t know you knew how to prepare a margarita.

WYATT

Are you kidding me? This was the one thing Prue tough me how to prepare.

JO

Prue did, huh?

Wyatt nods.

JO (CONT'D)

Only margaritas?

WYATT

(smiles)

We both like margaritas. It’s our favorite drink.

JO

(surprised)

Really?

Wyatt nods.

JO (CONT'D)

You two have a lot in common, huh?

Wyatt smiles but soon his smile fades off.

WYATT

It’s a shame we don’t get along.

Jo lowers her gaze.

Chris and Bianca also seem to have a nice chat.

CHRIS

So, are you enjoying to work here?

Bianca nods. Chris shoots her a look.

CHRIS

I guess you found a good friend in Prue, huh?

BIANCA

I did. She’s has been nice to me.

CHRIS

Did you really hate being a Phoenix?

BIANCA

I hated doing what they do. Mum taught me differently.

(looks at him)

She died a long time ago.

CHRIS

I’m sorry.

BIANCA

It’s okay.

They smile at each other.

OFF TO ELLA AND JESSICA - They approach the bar.

JESSICA

We knew we would find you two here.

The four of them look at Jessica and Ella. Surprised.

JESSICA (CONT'D)

While you were having fun, we were waiting for you guys at home.

CHRIS

We were working.

ELLA

With the enemy?

Ella shoots Bianca a look.

CHRIS

Ella ---

ELLA

(to Bianca)

I still can’t understand why Prue hired you.

WYATT

Enough.

(takes a deep breath)

What are the two of you doing here?

JESSICA

Can’t two girlfriends have a night out?

ELLA

We came to have fun.

JO

Then you shall have it.

(smiles)

We have a new DJ tonight.

Jessica and Ella look at the stage and then back at them. The music sounds good.

JESSICA

We want some drinks.

JO

Want a margarita?

JESSICA

I hate margaritas.

Jessica and Jo stare at each other.

WYATT

I’ll get you vodka with cola.

JESSICA

Good, you still remember what I like.

Wyatt and Jessica stare seriously at each other as Jo looks at Wyatt.

CUT TO:

INT. PRUE’S CONDO - DINING ROOM / ENTRANCE - NIGHT

Nate is taking Johnathan to the door.

NATE

I’m so sorry that this dinner ended like this.

JOHNATHAN

I’m sorry to hear that Cassandra has issues with her sister. She seemed like crazy.

Prue approaches them.

PRUE

Believe me. My sister is not like that. She’s a very sweet girl and an excellent shrink. 

Johnathan looks at Prue.

PRUE (CONT'D)

She just drank a glass of wine before coming here and alcoholic drinks are not my sister’s best friends.

JOHNATHAN

I didn’t know she had an issue with alcohol.

NATE

She doesn’t.

Nate shoots Prue a look. Prue shrugs. Nate turns to Johnathan.

NATE

She was nervous.

PRUE

(to Johnathan)

Please, come any time, Mr. Hale.

JOHNATHAN

Johnathan, please.

Prue smiles.

JOHNATHAN (CONT'D)

It was a pleasure to finally meet my friend’s wife. He’s has talked a lot about you.

Prue smiles and then looks at Nate. Then she turns to Johnathan.

PRUE

I believe I’ve heard about you too. Bye.

Johnathan and Nate shake hands. Nate opens the door and Johnathan leaves. Nate closes the door. Then he turns to Prue.

NATE

What’s going on?

PRUE

Cass is possessed by a ghost.

NATE

A ghost?

Prue nods.

NATE (CONT'D)

Are they real?

Prue frowns.

PRUE

Of course, they are. You should know, Nate, once you are married to me.

NATE

Yeah, well, it seems like I never heard about a ghost before.

PRUE

Of course, you ---

Prue cuts herself abruptly. She realizes that it could actually be a possibility that they never found a ghost in this reality.

PRUE (CONT'D)

Apparently, you haven’t.

OFF TO CHARLOTTE AND ERIC - They come in from the main bedroom.

CHARLOTTE

Found a map and a crystal.

ERIC

Charlotte had to beam into the manor to get one.

PRUE

Beam to the manor? I keep one here.

NATE

Not that I know of.

Prue looks at Nate and then at her sister and Eric.

PRUE

Yeah, apparently, I don’t.

Prue approaches her sister.

PRUE (CONT'D)

Give me that.

Prue takes the map from Charlotte’s hand.

CHARLOTTE

I could do that.

PRUE

I’m the eldest. It would be faster. All mighty Prue Halliwell, remember?

Charlotte rolls her eyes. Nate and Eric exchange glances. Prue puts the map on the table and starts scrying for her younger sister. The others watch her.

ON THE CRYSTAL - It moves fast and suddenly it stops.

Prue looks at the map and then looks at them.

PRUE (CONT'D)

Found her.

CHARLOTTE

(surprised)

That was fast.

PRUE

Told ya!

Prue walks towards her sister and holds her hand.

PRUE (CONT'D)

Let’s go.

Prue BEAMS out taking Charlotte with her.

NATE

But ---

Nate looks at Eric.

ERIC

(pats Nate’s shoulder)

Sorry to tell you, mate, but you’re married to one of the most powerful beings.

NATE

Not complaining.

ERIC

You better not.

Nate and Eric look at each other. Nate takes a deep breath while Eric gives him a sympathetic look.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

OVER BLACK.

FADE IN:

INT. P3 - PRUE’S OFFICE - NIGHT

The door opens. Chris comes in followed by Ella. She seems mad and so does Chris.

CHRIS

Can you stop making that kind of comment about Bianca?

Ella closes the door behind her and stares at Chris.

ELLA

Can you stop defending her?

CHRIS

What has gone into you? You are not like this.

ELLA

The one thing I know is that everything has changed since that woman appeared.

CHRIS

Ella, you are not making any sense.

ELLA

I am making sense. Jessica says that Bianca might be hitting on you. And that Prue supports it.

CHRIS

What?

Chris is astonished at what Ella just said.

ELLA

I’m gonna have to have a chat with Prue. I am her friend. She got the two of us together and now she’s trying to get you and that Phoenix Witch together.

CHRIS

(mad)

Stop it, okay?

Chris takes his hands to his hips and takes a deep breath.

CHRIS (CONT'D)

Jessica doesn’t know what she’s saying. She’s just putting ideas in your mind that are not what’s happening.

ELLA

Then tell me what’s happening? Because it all makes sense for me. You changed with me since the moment that woman appeared in our lives.

CHRIS

(lying)

I can assure you that it has nothing to do with Bianca.

Both of them stare at each other.

CHRIS (CONT'D)

Just try to believe in me.

(pauses)

I love you, Ella.

Ella lowers her gaze. She feels ashamed. She looks up at Chris.

ELLA

I’m sorry. I don’t know what came into me. I’m not like this.

CHRIS

Look ---

Chris holds her shoulders and both stare at each other eye to eye.

CHRIS (CONT'D)

--- Sometimes, Jessica overreacts when it comes to Prue and she knows you and Prue are friends, so she might be trying to get you against her.

ELLA

Well, Prue hired that woman even knowing who she was.

CHRIS

I know. And I also know that she might have some good in her.

ELLA

How can you be so sure?

CHRIS

I just want to believe it, okay?

Ella takes a deep breath. Then Chris kisses her softly.

CHRIS (CONT'D)

Why don’t we go home take care of that matter?

Ella smiles.

ELLA

Are you in the mood?

CHRIS

I think it’s about time for us to have a baby. I don’t know why but I feel like I need this baby.

Ella smiles big.

ELLA

I love you so much, Chris.

Chris smiles. Both of them kiss passionately and Chris ORBS the two of them out. Still kissing.

CUT TO:

EXT. SANVI’S HOME - STREET - NIGHT

Prue and Charlotte stare at Sanvi’s house.

CHARLOTTE

Are you sure it’s here?

PRUE

I guess.

CHARLOTTE

What would Cassandra be doing here?

PRUE

Cassandra, nothing. Now the spirit that is possessing her ---

CHARLOTTE

You're sure she’s possessed by a spirit?

Prue nods yes.

CHARLOTTE (CONT'D)

How are we going to get rid of it?

PRUE

I just hope that whoever that spirit is mad at has the answer.

JUNIOR

Prue?

Prue and Charlotte turn around only to find Junior there.

JUNIOR (CONT'D)

Charlotte? What are the two of you doing here?

PRUE

Hey, Junior. We, huh ---

CHARLOTTE

Are here to save Cassandra.

PRUE

From a spirit.

JUNIOR

What?

CHARLOTTE

But what are you doing here?

JUNIOR

I just came to tell the owner of that house that her sister’s body has been released.

PRUE

Sister?

JUNIOR

Yeah, she died last night.

Prue and Charlotte exchange glances.

JUNIOR (CONT'D)

But what is happening with Cassandra?

PRUE

She’s possessed by a spirit and I do know now that the spirit is the woman who died last night.

CHARLOTTE

And she seemed pretty pissed off at her sister.

Junior is surprised.

JUNIOR

Well, then we must get into that house now or someone will get killed.

The three of them agree and run towards the house.

CUT TO:

INT. SANVI’S HOME - LIVING ROOM - NIGHT

ON SANVI - She is sitting on the floor. Her face is covered in tears and she seems frightened. She looks aside and ---

BEAT - Lex's unconscious body lies on the floor beside her.

Sanvi looks up and ---

BEAT. Cassandra is there holding a knife. She points the knife towards Sanvi.

SANVI

Please, I don’t know you. You can take all you want, just don’t hurt us.

Cassandra, who is still possessed by Uma, laughs evilly.

CASSANDRA

All I want? Oh dear, I want your life. You’ve taken mine so now I want yours.

SANVI

I don’t know what you’re talking about.

CASSANDRA

I have a new body. A new life.

She smiles big.

CASSANDRA (CONT'D)

And I have powers. I can do whatever I want.

SANVI

Please ---

More tears run down Sanvi’s face. Cassandra lowers down and looks at her. Their faces are inches from each other.

CASSANDRA

Dear sister, you don’t know how pleased I am to see you beging.

SANVI

Sister?

Sanvi is so confused.

SANVI (CONT'D)

You’ve got the wrong person.

CASSANDRA

No, I have not. 

She smiles.

CASSANDRA (CONT'D)

I thought I had lost it all last night when I saw the two of you together.

Cassandra looks at Lex, then at Sanvi again. Sanvi swallows. Cassandra takes the knife’s blade to Sanvi’s face.

CASSANDRA (CONT'D)

But now, I have a chance to start over. But first I have to get rid of you.

SANVI

You are crazy.

CASSANDRA

And you are the worst sister ever.

Cassandra drives the knife away from Sanvi’s face only to point it to her chest. She's about to stab Sanvi when ---

ON THE KNIFE - It flies away.

Cassandra is surprised. She turns around and there are Prue, Charlotte, and Junior.

PRUE

You have serious issues with sisters.

Cassandra stands.

CASSANDRA

You? The pain in the ass.

PRUE

I can take that from my sister, but not from you.

CASSANDRA

This isn’t your sister anymore.

CHARLOTTE

We know Cassandra is somewhere inside.

SANVI

What the hell is going on?

Sanvi looks at Junior.

SANVI (CONT'D)

Inspector?

JUNIOR

Don’t worry, Miss Rage. We take care of this.

CASSANDRA

You will not. I have the right to get my revenge. She betrayed me.

PRUE

Just get over it already.

CASSANDRA

You don’t know how it feels to see your husband doing another woman.

PRUE

I’m sure I don’t want to see that but believe me, I know what you’re feeling.

Charlotte looks at Prue.

PRUE (CONT'D)

Now, get off my sister’s body.

CASSANDRA

Never.

Cassandra runs towards the knife and takes it. She’s about to stab Sanvi who scream aloud when ---

PRUE

(out loud)

CASS!

Cassandra stops. Sanvi stops screaming.

PRUE (CONT'D)

You can fight it, Cassandra. I know you can.

Charlotte and Junior exchange glances. Prue walks towards Cassandra. Junior leans over Charlotte.

JUNIOR

Shouldn't we get to the Book of Shadows and find some spell?

CHARLOTTE

No time to.

They turn to Prue.

PRUE

Listen to me, Cass. I know you are strong. You can expel her from your body.

Cassandra turns around and faces Prue.

PRUE (CONT'D)

You can do it. I know how strong you are, sis.

Prue and Cassandra stare at each other. Cassandra drops the knife and screams out loud.

BEAT. Uma’s spirit leaves Cassandra’s body. Cassandra falls on the floor. Charlotte runs towards her sister.

Uma spirit looks at them. Prue and Junior look at Uma.

UMA

He will give me another body and I will accomplish what I started.

PRUE

Who?

Uma is about to say something, but then her spirit burst into flames.

Sanvi is confused on the floor. She can’t see what the others saw.

Prue looks at Junior.

JUNIOR

What the hell happened here?

PRUE

I wish I knew.

CASSANDRA

Prue?

Charlotte helps Cassandra to stand. Prue turns to Cassandra.

CASSANDRA (CONT'D)

Did you really mean what you said?

Prue smiles.

CASSANDRA (CONT'D)

Do you believe I’m strong?

PRUE

Of course, I do.

CASSANDRA

But I’m not like you.

PRUE

It doesn’t mean you are weaker than me.

Prue walks towards Cassandra and holds her hands.

PRUE (CONT'D)

You are my baby sister. It doesn’t matter how I treated you before. What matters is what happens from now on.

Charlotte smiles.

CASSANDRA

I always wanted my big sister’s support.

PRUE

And you shall have it.

Cassandra smiles big. Prue smiles. Then both of them hug each other. Charlotte joins the hug.

CHARLOTTE

Group hug!

The three of them laugh.

JUNIOR

This is so sweet, but ---

Prue, Charlotte, and Cassandra turn to him. Junior points to an astonished Sanvi still on the floor and an unconscious Lex.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL FOOTAGE all over the town at the sound of 'Blood Is Thicker Than Water' by Black Label Society.

CUT TO:

INT. P3 - PRUE’S OFFICE - NIGHT

MUSIC FADES OFF.

Jo is there putting some pillows on the sofa and some blankets.

SOUND - A knock on the door.

Jo turns to the door and opens it. She is surprised at the visitor there.

ON MELINDA - She smiles.

JO

(surprised)

Mel?

MELINDA

I couldn’t wait until tomorrow to give you an answer.

JO

You could have called me.

MELINDA

I don’t have your number.

JO

I didn’t mean using a phone.

MELINDA

Oh, right, because you are a triple hybrid.

JO

You don’t believe that, do you?

MELINDA

I didn’t say that.

JO

Look, I don’t want you to believe that I am Prue’s daughter, but I want you to believe that something here is very wrong.

MELINDA

Well, I don’t know about that, but, huh, I’m willing to listen.

Jo is surprised.

MELINDA (CONT'D)

If something is truly wrong, then we’ll find out.

(shrugs)

Your eyes ---

JO

I took them from you.

Melinda takes a deep breath.

MELINDA

Prue’s daughter is insane. You know that, right?

JO

All my life has been insane.

Jo smiles. The two of them stare at each other.

CUT TO:

INT. UNDERWORLD - JARED’S CAVE - NIGHT

Jared shouts out loud mad.

JARED

Dammit!

MELINOE (O.S.)

Bad timing?

Jared turns around and sees Melinoe there. She smiles at him.

JARED

The Princess of the Underworld.

Melinoe smiles.

MELINOE

Rightful Queen, we hope.

JARED

Did you get what I asked from you?

MELINOE

You are lucky that despite who I am and where I come from, I managed to learn a lot from my relatives.

JARED

You could be a better Goddess of love.

MELINOE

I could, but I prefer to rule the true Underworld. I deal better with the things of the shadows.

Both of them stare at each other. Then Melinoe takes a small bottle from the pocket of her cape.

MELINOE (CONT'D)

Your sister must spill a drop of this potion into her husband favorite’s drink. Not any drink, it must be something he truly enjoys drinking.

JARED

Okay.

Jared takes the bottle.

JARED (CONT'D)

He would love just her, won’t he?

MELINOE

He will love the one who spills the drop of that liquid inside his drink. No one else.

Jared smiles. Then he looks at her seriously.

JARED

Can I ask you another thing?

Melinoe smiles.

MELINOE

My price is high, Jared.

JARED

I would help you to enter the Underworld again. The real Underworld.

Melinoe smiles big.

MELINOE

Not that I need it, but some allies can do me some good. What do you want?

JARED

I need someone to forget the life she lived until now. I want new memories in her mind.

MELINOE

You are messing with true love, Jared. You know that their love is what can break this curse, do you?

JARED

That’s why I can’t let that true love get between me and what I want.

Melinoe turns around to leave. Then she stops and looks at him over her shoulder.

MELINOE

As I said, I learned a lot from my relatives.

Jared smiles. Melinoe walks out of the cave.

ON JARED - He looks at the bottle and smiles wickedly.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

ON THE TRUTH SPELL PAGE - The BOS is opened on that page.

Pandora stands before the book who has got its place back on its pedestal.

She runs her fingers through the font.

Then she takes her smartphone from her pocket and takes a picture of the spell. Then she ORBS out.

CUT TO:

INT. MELISSA’S APARTMENT - BEDROOM - NIGHT

Melissa is lying on the bed not entirely asleep.

OFF TO JUNIOR - He ORBS in.

He walks towards the bed and lies beside her hugging her from behind. Melissa smiles.

MELISSA

So, how did it go?

JUNIOR

Sanvi and Lex won’t remember a thing.

MELISSA

I meant with your father.

Junior smiles.

JUNIOR

Let’s leave it for tomorrow.

He kisses her check and both stay cuddling.

CUT TO:

INT. HALLIWELL MANOR - PIPER’S BEDROOM - NIGHT

Piper, Phoebe, and Paige are standing there. They are serious.

Prue is in front of them.

PRUE

This couldn’t wait for tomorrow, huh?

PIPER

How did you know about Bianca?

PRUE

Straight to the point.

PHOEBE

Honey, we just want to know how did you find out about something we never mentioned to you or your sisters and cousins.

PIPER

How did you know, Prue?

Piper sounds a little harsh towards Prue and Prue notices it.

PRUE

Aunt Piper, why are you talking to me like that?

Phoebe looks at Piper. Piper smiles sarcastically.

PIPER

Why do you think? First, you break this family apart when you turned your back on Wyatt. Now you reveal something to Chris that he wasn’t supposed to know.

(pauses)

Do I have reasons to not be harsh on you?

Prue smiles sarcastic.

PRUE

Yeah, it seems like everybody in this place has reason enough to be against me. Whoever is messing with our lives, must hate me.

PAIGE

What are you talking about, Prue?

PRUE

I’m talking about this life. This is not how it was supposed to be.

(pauses)

You know, it wasn’t perfect there. Every week a new demon. Every year a new threat. But it was good. Here, I am the one that everybody hates. I am the one to blame for every bad thing that happens.

PHOEBE

Prue, is not like that.

PRUE

(mad)

Isn’t it? My little sister used to hate me until a few hours ago. Wyatt and I don’t get along. We are not even friends and his dear wife hates me. Not that I don’t hate her, but still. And you ---

Prue looks at Piper.

PRUE (CONT'D)

--- You don’t like me.

PIPER

I never said that. I just can’t forgive you for tearing our family apart. It’s been years since we’ve got all the family together because of that hate you feel towards
Wyatt.

PRUE

I don’t hate him.

PAIGE

Well, you pretend too well.

Prue looks at Paige.

PHOEBE

Paige, please.

Prue looks at Phoebe.

PRUE

What about you, mum? Are you mad at me too?

PHOEBE

No, honey.

Prue smiles sarcastic.

PRUE

I gave you reasons enough to be mad at me. Better, the one you used to know gave you reasons enough. 

(pauses)

I haven’t. I am not that Prue.

PAIGE

What are you saying?

Prue looks at Piper.

PRUE

Do you want to know how I know that Chris traveled back in time? How do I know about Bianca?

Prue smiles.

PRUE (CONT'D)

Because of this, all this life you think is true, it's nothing but fake. A poor-quality theater play. And I happen to be the only one of us who remembers how was it like. Well, me and someone you don’t remember meeting.

PHOEBE

What are you saying, Prue?

PRUE

Someone changed reality. This is not how things are supposed to be.

PAIGE

What?

PIPER

What are you playing at?

PRUE

I’m trying to fix it. I’m running out of time. And I would really appreciate my family’s help.

(pauses)

That’s how I know, Aunt Piper.

Both Piper and Prue stare at each other for seconds. Then Prue looks at Paige and Phoebe.

PRUE (CONT'D)

Now, if you’d excuse me, I have a ---

(smiles sarcastic)

Actually, I don’t care about that husband and that child that are not mine, because it’s not real. But I must pretend that I care otherwise my family would think that I’m crazy.

Prue turns around and leaves. They are astonished.

PHOEBE

Did someone change reality?

PIPER

She doesn’t know what she’s saying. We would notice.

PAIGE

Would we? Remember that I went through that.

PIPER

It’s different. It was Cole back them.

PHOEBE

What if a demon as powerful as Cole was did it all this?

The three of them exchange glances. Somehow, what Prue said left them wondering.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE HALL / STAIRCASE - NIGHT

Prue comes downstairs and almost runs into Wyatt who comes from the dining room. Wyatt is surprised to see her there.

WYATT

Prue? What are you doing here?

Prue smiles at the question.

PRUE

Believe me, I have more rights to be here than that wife of yours.

WYATT

Prue ---

PRUE

I’m not willing to fight, okay?

Both stare at each other. Prue notices that Wyatt is shirtless.

PRUE

Going to bed?

WYATT

It’s late.

PRUE

Is she waiting for you?

Wyatt takes a deep breath.

PRUE (CONT'D)

You don’t need to answer.

WYATT

I wish we could go back to be friends. Or the friend-enemies we used to be.

PRUE

It was fun.

WYATT

Not for the others.

PRUE

It was for me. I knew that no matter what I’d do you would always be there.

WYATT

I’m still here, Prue.

PRUE

Not quite. But you will.

Prue touches his face softly. Wyatt touches her hand. Both smile at each other.

PRUE (CONT'D)

I must go.

Prue turns to leave. Wyatt stops her.

WYATT

Wait.

Wyatt holds her arm. Prue looks at him.

WYATT (CONT'D)

I wanted to ask you something.

He let’s go of Prue’s arm.

WYATT (CONT'D)

I know you are the one who takes decisions at P3, and I think Jessica should have a job to get her mind off somethings. So, I wanted to ---

PRUE

Don’t even finish it.

They look seriously at each other.

PRUE (CONT'D)

As you said, I make the decisions. I don’t want her there. I don’t care if you own half of it. P3 is you and me. No one else.

Prue turns around and leaves the manor as Wyatt watches her. He is serious.

CUT TO:

EXT. HALLIWELL MANOR - PORCH / STREET - NIGHT

Prue comes down the front stairs. She is mad.

PRUE

What a nerve!

Her car is parked there and she stops as she sees someone leaning against the car.

PRUE (CONT'D)

You?

ON BLANCHE - She is there.

BLANCHE

You were right. I spent a couple of days with my sister in her locked cell and her story meets yours.

PRUE

So, you believe me?

Blanche nods.

BLANCHE

I must know your side of the story so we can work together to stop this.

ON PRUE - She smiles.

CUT TO BLACK.

END OF THE EPISODE